When I was fifteen ๐Ÿ‘ฆ sixteen ๐Ÿง’ When I started really ๐Ÿ”ฅ to play the guitar ๐ŸŽธ๐ŸŽธ๐ŸŽธ I definitely wanted ๐Ÿ’ญ to become a musician ๐ŸŽถ It was almost impossible ๐Ÿ˜” because, it was The dream โœจ was so big That I didnโ€™t see ๐Ÿ‘๏ธ any chance ๐ŸŽฐ๐ŸŽฒ Because I was living in a little town ๐ŸŒ‡ was studying ๐ŸŽ’๐Ÿ“—๐Ÿ“– And when I finally broke ๐Ÿ’” away from school ๐Ÿซ and became a musician ๐ŸŽต I thought ๐Ÿค” โ€œwell, now I may have a little bit of a chanceโ€ Because all I really wanted to do is music ๐Ÿ“ป And not only play โ–ถ๏ธ music, but compose ๐ŸŽผโœ๏ธ music At that time, in Germany, in โ€˜โ™‹, โ€™70, they already had discotheques ๐Ÿ•บ So I would take my car ๐Ÿš—๐Ÿ’จ, would go to a discotheque Sing ๐ŸŽค๐Ÿ‘„ maybe thirty minutes ๐Ÿ•ง I think I had about seven, eight songs ๐ŸŽต๐ŸŽถ I would partially sleep ๐Ÿ›Œ๐Ÿ’ค in the car ๐Ÿš˜ Because I didnโ€™t want to drive home ๐Ÿš—๐Ÿ’จ And that helped me for about almost two years to survive ๐Ÿ•๏ธ In the beginning I wanted to do an album with the sounds ๐Ÿ”‰ of the fifties The sounds of the sixties ๐Ÿ”‰ of the seventies ๐Ÿ”‰๐Ÿ”Š And then have a sound of the future ๐Ÿ”ฎ๐Ÿ”ฎ๐Ÿ”ฎ And I thought: โ€œWait a second ๐Ÿ–๏ธ๐Ÿค” I know the synthesizer ๐ŸŽ›๏ธ why donโ€™t I use the synthesizer ๐ŸŽ›๏ธ Which is the sound of the future ๐Ÿ”ฎโ€ And I didnโ€™t have any idea ๐Ÿค” what to do but I knew I needed a click ๐Ÿ’“ So we put a click on the 24-track๐ŸŽš๏ธwhich was then synced to the Moog modular ๐ŸŽ›๏ธ I knew that it could be a sound of the future ๐Ÿ”ฎ But I didnโ€™t realize how much impact ๐ŸŽฏ would be My name is Giovanni Giorgio ๐Ÿ‡ฎ๐Ÿ‡น but everybody calls me Giorgio ๐Ÿ