Shin Megami Tensei NINE is a psychological horror game about a guy who gets attacked by a giant angry scrotum at a Taylor Swift concert, and then spends several months facing horrific hallucinations from the resulting PTSD. There are no rules in this game. In the first five minutes you shatter the boundaries of space and time when you try to leave this flower shop only to realise that you’re trapped as this lady and her lesbian furry lover crawl on two planes of existence at once as she seemingly goes down the wall and towards the screen at the same time. The only way out is through this table down here and then you’re back on the street where this guy yells at you, as if you just did all that shit on purpose. Sometimes when you walk down the street you literally walk down into it. I mean this looks like some kind of surrealist painting. Trying to imagine the perspective on this destroys the human mind so just don’t think about it too much. Almost every building is empty and plays mildly disturbing music, except for this one where Jack Frost says welcome and promptly shows you a series of menus with no text. The whole game feels like you aren’t welcome in its presence. It almost feels like the software is sentient and it’s watching, trying to figure out why you’re playing a Japanese Xbox game. I truly do believe that if demons can manifest themselves in lines of code, there’s almost certainly one hiding in here somewhere. Oh yeah, and the battle system you can’t really do anything it’s like a movie. You can smack that ballsack all you want, but it’s just not gonna go away. Overall, I have to say it’s about as good as Persona 5 so check it out when you get the chance. See ya.**Show less**